Ceramic pot is a kind of art works, which is divided into two parts: bionic device, geometric shape device with inner rib and inner part, geometric shape device divided into square and circle. This is called “square is not in duplicate, circle is not one phase”.
The ancients used “round sky and place” to explain the world. Square and circle are the basic principles in the modeling of various utensils. Square is the aesthetic category opposite to the circle. Square pot is a clay work with straight line as the boundary of real space. It has the characteristics of being upright, resolute, dignified, vigorous, steady, solid and bold Loved by collectors.
The square pot is made up of straight lines. From the visual effect of the lines, the curve is euphemistic, the assembly line is pleasant, the arc has a sense of harmony, and the straight line makes people feel handsome and exciting. No matter the square pot is square, hexagonal, octagonal or based on this, she has formed a number of horizontal, geometric planes from the front, which is in opposition to the “light and shade” of the round pot from the same angle, showing the artistic appreciation effect that the round pot does not have.
Even if the “square bell” and “Gaoyun” move up and down (the center of gravity moves down), and the “center of gravity moves up and down” (the center of gravity moves up), it is an arc or curve from the side, but the “coastline” intersected by the horizontal line on each side is a straight line, which is the biggest feature different from the round pot, just like the regular script written with square pen. Like the cursive works written by circle and drawing brush, they have their own beauty.
Art stresses harmony and perfection. In the process of creation, the square shape of the pot body is determined. Its accessories must and should be integrated into one, so as to achieve “harmony but not sameness, violation but not violation”, change in harmony and unity in change, thus enriching the overall beauty.
Fang and Yuan are two opposite appreciation categories. But they are unified, and the virtual and the real are mutually generated.
In addition to the special shape of the “Yaming Sifang” pot, the intersection of other square pots mostly reflects the characteristics of “wisdom and wisdom” and expresses the philosophy of “putting the circle in the square”. This enriches the line texture of the square pot works. “Looking at the forest horizontally and forming the peak on the side” makes the work more intriguing. For example, “square bell” and “general” pot, if their curves are changed As a circular arc, it is composed of several larger circles outside the pot. The four points of the same height of the four lines of the four square ladybird are also the top points of a circle which is connected with the top of the square. However, when we go to the creation of “white when black”, it is actually “the coexistence of the virtual and the real”.
In addition, the selection of clay materials must be based on natural high-quality mud to make the utensils old but not withered, delicate but not gorgeous, new but not tender, red and not cheap, mixed but not stupid. On the desk of a square pot, she is “full of experience and friends, warm to friends”, “don’t be ruddy, old skin is more beautiful”, as time goes on, she seems to be a learned and experienced scholar I’ll be with you.